Brad Goode Polytonal Dance Party
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Out of Print: Future availability is unknown
- by Brad Goode ~ Hypnotic Suggestion ~ $14.32
- Released: November 18, 2008
- Originally Released: 2008
- Label: Origin Records
JazzTimes - pp.88-89"In addition to sustaining a high funk quotient and allowing for improvised sprints, Goode creates a few seductive, muted brass interludes when the focus shifts to vintage pop tunes."
Song previews provided courtesy of iTunes
Composer: John McNeil .
Personnel: Brad Goode (trumpet); Bill Kopper (guitar, sitar); Scott Griess (recorder); John McNeil (trumpet); Jeff Jenkins (piano, keyboards); Ken Walker (bass instrument); Anthony Lee (drums, drum).
Audio Mixer: Scott Griess.
Liner Note Author: John Paul McNeil.
Recording information: Mile High Music, Denver, CO (01/2008).
Brad Goode has long experimented with using polychordal harmonies, as many jazz musicians have well before him, but prior to this recording session, the trumpeter's adventurous charts tended to overwhelm many of the players who worked with him. But this date freed Goode from the series of post-bop/hard bop/bop recordings that he had made in the past. Accompanied by guitarist Bill Kooper (who switches to sitar on some tracks), pianist/keyboardist Jeff Jenkins, bassist Ken Walker, and drummer Anthony Lee, Goode puts his musicians to the test with his wild charts, which at times combine two four-note chords that seem to conflict with the harmony underneath. The oft-kilter "Encryption" sounds like something from the era of '70s fusion, though the harmonies against the funky backbeat are far more modern. Goode adds a mute for his fairly straight-ahead, lyrical treatment of the old soul-pop song "Betcha by Golly Wow," though Jenkins' keyboards get pretty far out behind the leader. Everyone seems to be playing a different arrangement in the dissonant, rather wild setting of "Autumn Nocturne," while the old Burt Bacharach pop hit "Going out of My Head" is far more accessible. Goode even revisits "Shock of the New" (which was the title track of his 1988 CD debut as a leader), but the rockish guitar and electric keyboards dramatically alter its conception. Johnny Mercer's "Dream" is dramatically altered as well, with offbeat rhythm and the eerie addition of the sitar. While this CD may not get people dancing, it definitely won't put any jazz fans to sleep! ~ Ken Dryden
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