- Released: May 20, 2003
- Label: Ninja Tune
Uncut - 8/03, p.1124 stars out of 5
- "...A sweet, sad, soulful something..."
Mojo (Publisher) - 7/03, p.1064 stars out of 5
- "...Their most ambitious compositions to date....There's no denying the sure-footedness of the playing and arranging here..."
- 1.The Projectionist
- 4.Awakening of a Woman, The (Burnout) - (Burnout)
- 5.Reel Life (Evolution II) - (Evolution II)
- 7.Evolution (Versao Portuense) - (Versao Portuense)
- 8.Work It! (Man with the Movie Camera) - (Man With The Movie Camera)
- 10.Odessa (Interlude I)
- 11.Theme de Yoyo
- 12.Magician, The (Interlude II)
- 13.Theme Reprise
- 14.YoYo Waltz
- 15.Drunken Tune
- 16.The Animated Tripod
- 17.All Things to All Men
MAN WITH A MOVIE CAMERA is a live score to the 1929 Russian silent film by Dziga Vertov.
Original score composed by The Cinematic Orchestra.
The Cinematic Orchestra includes: Jason Swinscoe.
Personnel: Prabjote Osahn (violin); Antonia Pagulators (viola); Wayne Urquhart (cello); Tom Chant (saxophone); Jonah Ellis (piano, keyboards); Phil France (double bass); Luke Flowers (drums); Milo Fell (percussion).
Audio Mixers: Alan Mawdsley; The Cinematic Orchestra.
Recording information: Sony Music Studios, London, England (11/26/2002/11/27/2002).
Photographer: Carl Fox.
Arranger: Jason Swinscoe.
It was just a matter of time before the Cinematic Orchestra received a commission for a film score, but this 2003 release actually dates from 1999. The genesis of Man With a Movie Camera lies in the selection committee of a Portuguese film festival, which asked Cinematic Orchestra to score their re-airing of Dziga Vertov's 1929 film of the same name, a silent Soviet documentary focused on a day in the life of an average worker. Performed live by the orchestra, Man With a Movie Camera doesn't allow J Swinscoe to indulge in his usual post-production magic, but it is a surprisingly adept score, with occasional bursts of on-the-one jazz-funk wailing to break it up. (Pity the poor comrade who's soundtracked 70 years later with a hyper-speed Pretty Purdie-type drum solo and some old-school-rap samples in the background.) Scattered moments of brilliance abound, and at one point, someone on sax comes up with a brilliant foghorn recreation. The cinematic material lies in '70s astral jazz, with evocative, tremulous work from soprano sax and violin. Just two caveats: several of these performances were later echoed in tracks appearing on the Cinematic Orchestra's 2002 release Every Day, and some passages have a baffling, you-had-to-be-there quality. Apparently it was a hit at the festival, though only the DVD release of Man With a Movie Camera has the film itself, along with a Cinematic Orchestra performance live in the studio, plus a Channel 4 documentary on the making of the record. ~ John Bush