Personnel: Brian Bromberg (keyboard programming, drum programming); Brian Bromberg (bass guitar); Kenny Rankin, Bill Cantos (vocals); Lee Ritenour (guitar, acoustic guitar); Toots Thielemans (harmonica); Everette Harp, Kirk Whalum (saxophone, tenor saxophone); Doug Webb (tenor saxophone); Gary Grant, Tony Guerrero (trumpet); William Frank "Bill" Reichenbach Jr. (trombone); Jeff Lorber (keyboards, keyboard programming, drum programming); Mitchel Forman, Tom Zink (keyboards); Joel Taylor (drums); Michael Shapiro (percussion); Marc Hugenberger (keyboard programming); Ivan Lins (vocals); Ernie Watts (saxophone).
Audio Mixer: Tom McCauley.
Audio Remasterer: Eddy Schreyer.
Audio Remixers: Brian Bromberg; Tom McCauley.
Recording information: Fire Power Studios, Los Angeles, CA; Garden Rake Studios, Los Angeles, CA; Genius Recording Studios, Los Angeles, CA; Hot Tin Roof Recording Studios, Los Angeles, CA; JHL Sound, Los Angeles, CA; Kitchen Sync Studios, Los Angeles, CA; Mad Hatter Studios, Los Angeles, CA; Moving Hands Studios, Los Angeles, CA; The Slam Shack, Los Angeles, CA; Track Record Recording Studios, Los Angeles, CA.
Arrangers: Brian Bromberg; Jeff Lorber; Bob Boykin; David Bromberg; Marc Hugenberger.
On his self-titled album for Nova, bassist Brian Bromberg employs a who's who of smooth jazz and fusion talent for a varied outing that runs the gamut. Kenny Rankin appears on the vocal version of the hit "Her Eyes, Her Heart," -- its instrumental is also included -- while guitarist Lee Ritenour, keyboard and programming whiz Jeff Lorber, and Kirk Whalum trade places with the likes of jazz harmonica boss Toots Thielemans and saxophone master Ernie Watts, who get in the groove too. Ivan Lins lends his vocal talents to a few numbers as well. In some ways, this is a very schizophrenic recording, though it works well. There are groovers like the opener "Summer Afternoon," which walks the jazz-funk tightrope, smooth cuts like the aforementioned, "My Brother," and "Intimadag?," and knotty fusion workouts such as "Tunnel Vision," and "Sedona," and even big groovers like "Yo!," with Thielemans, and Bob Boykin's "Bern City." What makes the album hold together so beautifully is sequencing. It's a big, glossy production handled by Bromberg's brother David (no relation to the American roots music master), but gives listeners a bit of everything. [Artistry Music re-released the CD in 2005.] ~ Thom Jurek