- Released: September 25, 2007
- Label: Tone Center
JazzTimes - 4/03, p.104
"..A free spirited, all-star jam session with Chambers' potent drumming as its hard-grooving driving force....With this CD, Chambers and Co. are talkin' loud and sayin' a lot..."
- 1.Roll Call
- 3.Groovus Interruptus
- 4.Paris on Mine
- 5.In Time
- 6.Plan B
- 8.Baltimore, DC
- 9.Talkin; Loud and Sayin' Nothin'
Personnel includes: Dennis Chambers (drums); John Scofield, Jon Herington, Nick Moroch (guitar); Michael Brecker, Bobby Malach, Aaron Heick (saxophone); Randy Brecker (trumpet); Jim Beard (keyboards); Will Lee, Gary Willis, Matthew Garrison, Rodney "Skeets" Curtis (bass).
Personnel: Dennis Chambers (drums); Nicj Moroch, Jon Herington (guitar); John Scofield (gut-string guitar); Aaron Heick (alto saxophone); Bob Malach (tenor saxophone, bass saxophone); Michael Brecker (tenor saxophone); Randy Brecker, Jim Hynes (trumpet); Michael Davis (trombone); Jim Beard (piano, Fender Rhodes piano, Clavinet, Hammond b-3 organ, synthesizer); Gary Willis, Rodney Curtis, Will Lee (bass guitar); Danny Sadownick (congas); Arto Tuncboyaciyan (shaker).
Drummer Dennis Chambers is a first-call session ace who is comfortable within a variety of settings and/or genres. He has also evolved into one of the most admired drummers on the globe due to his high-powered polyrhythmic funk beats and supercharged sense of swing. In short, he's a dynamo! With his second solo release, he enlists his former boss, guitarist John Scofield, amid jazz superstars such as brothers Michael (sax) and Randy (trumpet) Brecker among others. Here, Chambers drives it all home via his now infamous attack, consisting of complexly woven tom fills and snappy, funk-drenched rhythms. Much of the credit should be directed towards arranger/producer/keyboardist Jim Beard, who once again demonstrates his prowess for achieving the desired effects. On the piece titled "Otay," fusion bassist extraordinaire Gary Willis leads the way via his impossibly fast lines in concert with Scofield's sinewy plucking and Chambers' sweeping funk pulses. Some of these works are marked by the Brecker Brothers' chirpy unison choruses and the ensemble's morphing of gospel, fusion, and jazz-based grooves. Through it all, Chambers' presence is undeniably felt, while this outing also benefits from strong material and the soloists' zestful endeavors. ~ Glenn Astarita