Jazz at the Philharmonic
|
|
Your Price:
$12.73
Retail Price:
$14.98
You Save:
$2.25 (15%)
Availability:
Usually ships in 1-3 business days.
Free Shipping on orders of $75 or more |
ORDER BY PHONE
1-800-336-4627
or 1-610-649-7565
Mon-Fri: 7am-9pm ET
Sat: 10am-9pm ET Sun: 10am-8pm ET
Item Number:
PLG 5216422 |
Related products:
Customers who purchased this item also bought these:
Personnel includes: Billie Holiday (vocals); Willie Smith, Georgie Auld (alto saxophone); Charlie Ventura, Coleman Hawkins, Lester Young, Illinois Jacquet (tenor saxophone); Joe Guy, Buck Clayton, Howard McGhee (trumpet); Trummy Young (trombone); Milt Raskin, Ken Kersey, Bobby Tucker, Mal Waldron (piano); Dave Barbour, Barney Kessel, Tiny Grimes (guitar); Charles Mingus, Curly Russell, Al McKibbon, Charlie Drayton, Joe Benjamin, Milt Hinton (bass); Davie Coleman, J.C. Heard, Jackie Mills, Don Lamond, Jo Jones (drums).
Producers: Norman Granz, Leonard Feather.
Compilation producer: Michael Lang.
Recorded live at Carnegie Hall, New York, New York; Newport Jazz Festival, Newport, Rhode Island; Seven Ages Of Jazz Festival, Wallingford, Connecticut; Philharmonic Auditorium and Shrine Auditorium, Los Angeles, California between 1945 and 1958. Includes liner notes by Graham Lock.
This is part of Verve's Jazz At The Philharmonic series.
The first of seven volumes to present all of Billie Holiday's Verve recordings, JAZZ AT THE PHILHARMONIC gathers live performances from 1945 to 1947, as well as her 1957 Newport Jazz Festival set and the two songs she sang at the Seven Ages of Jazz Festival in 1958. Throughout, Holiday's voice transcends fluctuations in sound quality to swirl straight into the listener's blood. Lady Day exhibits total control of her achingly expressive, emotionally charged voice and sweeps it through the phrasings of "Fine and Mellow," "The Man I Love," and "Trav'lin' Light" with the fluid ease and interpretive brilliance of a seasoned instrumentalist.
There is a noticible difference in vocal timbre in the Newport recordings-- thicker, darker and more bluesy. While not as techinically proficient as her earlier work, there is an appeal to this style as well-- since the sweet, sexy embellishments in "Nice Work If You Can Get It" and the sustained notes in "My Man" suggest new approaches to time and phrasing. JAZZ AT THE PHILHARMONIC is a memorable collection and, at moments, manages to capture Holiday at her finest.
Q - 8/94, p.125
3 Stars - Good - "...Billie Holiday was a songstress with few peers...but a major attraction of Holiday's work is listening to how she might alter or stress phrasing in a particular song over different takes or over different years..."Down Beat - 5/4/55
5 Stars - Excellent - "...never again will Billie sound this wonderful. The years that have passed since then have taken their toll on the great stylist, but this all happened on a night when she had everything..."|
|
Trouble listening to samples? Sound Distorted? Download the latest Flash Player to correct an audio bug in the previous version |
Average Customer Rating:
![]()
Based on 3 ratings.
Be the first Music Lover to write an online review of this product!
Portions of this page © Copyright 1948-2009
For personal non-commercial use only. All rights reserved.
© Copyright 2000-2009 OLDIES.com
and its affiliates and partner companies.
All rights reserved.
About OLDIES.com.
Contact us by Email: Products and Order Questions or
Website Comments.