Getz / Gilberto [Bonus Tracks]
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- Released: May 20, 1997
- Originally Released: 1997
- Label: Polygram Records
Down Beat - 9/97, p.544.5 stars (out of 5) - "...[the] 20-bit digital remastering...gives the breezy Brazilian lilt added warmth..."
JazzTimes - 11/94, pp.88-89"...essential for all serious jazz collections...served as proof that it is possible for music to be both artistically and commercially successful...this relatively sparse setting with the great Getz perfectly fit the music, resulting in a true gem..."
Vibe - 12/99, p.158Included in Vibe's 100 Essential Albums of the 20th Century
- 1.The Girl from Ipanema
- 3.Para Machuchar Meu Cora‡ao (To Hurt My Heart)
- 5.Corcovado (Quiet Nights of Quiet Stars)
- 6.So Dan‡o Samba (I Only Dance Samba)
- 7.O Grande Amor
- 8.Vivo Sonhando (Dreamer)
- 9.Girl from Ipanema, The - (45rpm edit)
- 10.Corcovado (Quiet Nights of Quiet Stars) - (45rpm edit)
Personnel: Joao Gilberto (vocals, guitar); Stan Getz (tenor saxophone); Astrud Gilberto (vocals); Ant“nio Carlos Jobim (guitar, piano); Milton Banana (drums).
Recording information: New York, NY (03/18/1963/03/19/1973).
One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer Joao Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl from Ipanema," a Jobim classic sung by Joao's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre -- "Corcovado" (which featured another vocal by Astrud), "So Dan‡o Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential. [The CD was also released with bonus tracks.] ~ Steve Huey
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