Ray Brown Bassics: Best of Ray Brown Trio 1977-2000 (2-CD)
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- Released: October 24, 2006
- Originally Released: 2006
- Label: Concord Records
Tracks on Disc 1:
- 1.Sister Sadie - (with Ray Brown)
- 2.Blue Bossa - (with Ray Brown)
- 3.Exactly Like You - (with Ray Brown)
- 4.Mistreated But Undefeated Blues - (previously unreleased, alternate take, with Ray Brown)
- 5.Have You Met Miss Jones? - (with Ray Brown)
- 6.That's All - (with Ray Brown)
- 7.Rio - (with Ray Brown)
- 8.Summertime - (with Ray Brown)
- 9.Buhaina Buhaina - (with Ray Brown)
- 10.Real Blues, The - (with Ray Brown)
- 11.Bye Bye Blackbird - (with Ray Brown)
- 12.Gumbo Hump - (with Ray Brown)
Tracks on Disc 2:
- 1.Phineas Can Be - (with Ray Brown)
- 2.Don't Get Sassy - (with Ray Brown)
- 3.Seven Steps To Heaven - (with Ray Brown)
- 4.Port Of Rico - (with Ray Brown)
- 5.You're My Everything - (with Ray Brown)
- 6.Freddie Freeloader - (with Ray Brown)
- 7.It's Only A Paper Moon - (with Ray Brown)
- 8.Cherokee - (with Ray Brown)
- 9.Caravan - (with Ray Brown)
- 10.Goodbye - (with Ray Brown)
- 11.I Want To Be Happy - (with Ray Brown)
- 12.Lined With A Groove - (with Ray Brown)
Song previews provided courtesy of iTunes
Personnel: Gene Harris, Geoff Keezer, Monty Alexander, Benny Green , Cedar Walton (piano); Elvin Jones, Gerry King, Gregory Hutchinson, Jeff Hamilton , Mickey Roker, Karriem Riggins (drums).
Additional personnel: Dee Dee Bridgewater, Emily Remler, Herb Ellis, Ralph Moore, Red Holloway, Stanley Turrentine, Terence Blanchard, Ulf Wakenius.
Liner Note Author: Neil Tesser.
Focusing on the latter part of his career, the double-disc anthology Bassics: Best of Ray Brown Trio 1977-2000 collects a nice cross-section of the recordings bassist Ray Brown made with his various trio configurations for the Concord and Telarc labels. Included is work the iconic musician made with such pianists as Cedar Walton, Gene Harris and Monty Alexander, as well Benny Green and Geoff Keezer. These are elegant, sophisticated mainstream jazz recordings that are the epitome of swinging modern jazz. While listeners looking for a more representative view of Brown's long career should probably check out his influential early recordings, Bassics offers a perfect overview of the still superb Brown in the autumn of his life. ~ Matt Collar
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