- Released: July 1, 1991
- Label: OJC
Q - 1/00, p.1443 stars out of 5
- "...This 56-minute concert mixes Adderly faves with Ellington and the specially written 'Hello, Tokyo!' title track. Nice."
Down Beat - 9/904 Stars
- Very Good - "...reaches deep into the improvisatory strengths of the band..."
- 1.Nippon Soul (Nihon No Soul)
- 2.Easy to Love
- 3.The Weaver
- 4.Tengo Tango
- 5.Come Sunday
- 6.Brother John
- 7.Work Song - (bonus track)
Cannonball Adderley Sextet: Cannonball Adderley (alto saxophone); Yusef Lateef (tenor saxophone, flute, oboe); Nat Adderley (cornet); Joe Zawinul (piano); Sam Jones (bass); Louis Hayes (drums).
Recorded live at Sankei Hall, Tokyo, Japan on July 14 & 15, 1963. Originally released on Riverside (9477). Includes original liner notes by Orrin Keepnews.
Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California).
Personnel: Cannonball Adderley (alto saxophone); Yusef Lateef (flute, oboe, saxophone, tenor saxophone); Nat Adderley (cornet); Joe Zawinul (piano, electric piano, organ); Louis Hayes (drums).
Audio Remasterer: Phil DeLancie.
Liner Note Author: Orrin Keepnews.
Recording information: Sankei Hall, Toyko, Japan (07/14/1963/07/15/1963).
Unknown Contributor Roles: Joe Zawinul; Louis Hayes; Nat Adderley; Sam Jones; Yusef Lateef; Cannonball Adderley.
Capturing the entirety of one of Norman Granz's legendary Jazz at The Philharmonic sets, complete with an effusive introduction by Granz himself, PARIS 1960 is one of the best of the many live recordings of Julian "Cannonball" Adderley. The 55-minute set finds the alto saxophonist at a pivotal point in his career, as he was moving away from hard bop into the funkier, more groove-oriented, but no less technically masterful soul-jazz style that made him a star in the '60s.
The opening "Jeannine" is a hard-bop standard, but the Adderley quintet, featuring (as always) his brother Nat on cornet, stretches it out, sounding relaxed yet still intense. "The Chant," which Adderley had just recorded with his sideline group (the Pollwinners, featuring Wes Montgomery), sounds completely different--but no less outstanding--in its guitar-less arrangement. PARIS 1960 is essential for Adderley fans.