The Meters Kickback
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- Released: February 26, 2001
- Originally Released: 2001
- Label: Sundazed Music Inc.
Living Blues - 5-6/01, pp.91-4"...A collection of alternate takes and unissued tracks....the funk wand is spread all over 'Keep On Marching' and 'He Bite Me'..."
- 1.Big Chief
- 2.Come Together
- 3.Hang 'Em High - (previously unreleased)
- 4.What More Can I Do
- 5.Keep On Marching (Funky Soldier)
- 7.Down By The River - (previously unreleased)
- 8.Honky Tonk Woman
- 9.He Bite Me
- 10.Easy (Trip)
- 11.Rock And Roll Medley: Rockin' Pneumonia / Something You Got / I Know / Everybody Loves A Lover
- 12.All I Do Everyday
- 13.Love The One You're With - (previously unreleased)
- 14.Mother's Love, A - (previously unreleased)
The Meters: Art Neville, Cyril Neville, George Porter, Jr., Leo Nocentelli, Joseph "Zig" Modeliste.
Producers: Allen Toussaint, Marshall E. Sehorn, The Meters.
Recorded in 1975 & 1976. Includes liner notes by Bill Dahl.
Digitally remastered by Bob Irwin (Sundazed Studios, Coxsackie, New York).
Liner Note Author: Bill Dhalle.
Recording information: 1975-1976.
Photographer: Bunny Matthews.
Not for one minute will you mistake this collection of unreleased recordings as a proper album. It isn't just the preponderance of covers, it's the subtle shifts in production and tone, lending a general unevenness to this record, even if it's culled just from 1975 and 1976 (meaning they're leftovers from Fire on the Bayou and Trick Bag). That doesn't mean it's a bad listen by any stretch, since even if Kickback is second-rate and leftover Meters, they're still an incredibly supple, engaging band that can take such bad choice of material like Neil Young's "Down by the River" and turn it into something listenable. Such cover choices as that, the Beatles' "Come Together," and Stephen Stills' "Love the One You're With" all sound intriguing, particularly to the record geek that's this album's core audience, but apart from the latter (and a fine, surprisingly hard-rocking alternate version of "Honky Tonk Women"), these kind of choices play better in theory than in actuality. The rest of the record may not have as distinctive a calling card, but they're better, finding the band laying back and doing what they do best, which is laying down a solid, irresistible groove. No, there's not much here that's essential, but it's fine second-tier stuff that will satisfy the dedicated. And, truth be told, second-tier Meters still sounds pretty good to the unconverted, too. ~ Stephen Thomas Erlewine
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