The Music Machine Ignition
Out of Print: Future availability is unknown
- Released: June 5, 2000
- Originally Released: 2000
- Label: Sundazed Music Inc.
Mojo (Publisher) - 12/00, p.126"...The 1965 stuff pulls few punches and is sterling stuff....the earlier stuff could knock down a wall and the latter material would paint multi-colored visions of Eden on it..."
- 1.Everything Is Everything
- 2.Two Much - (previously unreleased)
- 3.Advise And Consent
- 4.This Should Make You Happy - (previously unreleased)
- 5.Black Snow
- 6.Chances - (previously unreleased)
- 7.Mother Nature, Father Earth
- 8.Talk Me Down - (previously unreleased)
- 9.Dark White
- 10.Push Don't Pull - (previously unreleased)
- 11.Smoke And Water - (previously unreleased)
- 12.King Mixer
- 13.Unca Tinka Ty - (previously unreleased)
- 14.Citizen Fear - (previously unreleased)
- 15.Worry - (previously unreleased, TRUE instrumental)
- 16.Worry - (previously unreleased)
- 17.Tell Me What Ya Got - (previously unreleased)
- 18.Point Of No Return
- 19.902 - (previously unreleased)
IGNITION collects mostly-unreleased tracks by three of Sean Bonniwell's mid-1960s bands: The Ragamuffins, The Music Maschine & The Bonniwell Music Machine.
Personnel includes: Sean Bonniwell (vocals, guitar, horn); Doug Rhodes (vocals, flute, horn, organ, bass, tambourine); Keith Olsen (vocals, bass);
Mark Landon, Guile Wisdom (guitar); Harry Garfield (organ); Ron Edgar, Jerry Harris (drums).
Recorded between 1965 & 1968. Includes liner notes by Sean Bonniwell & Mike Stax.
Digitally remastered by Bob Irwin (Sundazed Studios, Coxsackie, New York).
Personnel: Doug Rhodes (vocals, flute, horns, organ, tambourine); Sean Bonniwell (vocals, horns); Keith Olsen (vocals); Mark Landon (guitar); Harry Garfield (organ); Jerry Harris, Ron Edgar (drums).
Liner Note Author: Sean Bonniwell.
Recording information: 1965-1969.
As this has a mixture of rare singles and unreleased tracks from 1965-1969, it's primarily for converted Music Machine fans, not for those who want just one album by the group or a place to start investigation. That said, it's a pretty interesting assortment of odds and ends, a few of which are among the band's best efforts. Foremost among them is the explosive (and quite innovative for its time) 1966 number "Point of No Return" with its unusual mixture of folk-rock and pre-acid guitar work, as well as a magnificent anguished, subtly anti-war vocal by singer and songwriter Sean Bonniwell. The moody, building-from-a-smolder-to-a-roar "Dark White," a 1969 outtake, was already heard on the out-of-print Rhino best-of LP. It's also one of Bonniwell's better creations, as well as one of the best lyrical meditations upon the ambiguous tension of sexual desire that you're likely to hear. "Advise and Consent" is a decent obscure flop single, though not one of the group's greatest. As for the previously unveiled outings, the 1965 demos by the Ragamuffins (the trio of future Music Machine members Bonniwell, drummer Ron Edgar, and bassist Keith Olsen) are especially interesting, catching them in their tentative transition from folk-pop to garage psychedelia. "Citizen Fear," one of the latest tracks (from 1969), has the careering sonics and intriguing sociometaphysical (if that's a word) words typical of Bonniwell's better songs. Much of the rest, though, is simply not up to the caliber of the band's best stuff. Still, it's a worthy complement to the (Turn On) The Music Machine album and Sundazed's previous collection of lesser-known material, Beyond the Garage. ~ Richie Unterberger
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