Charlie Parker Bird Up - The Charlie Parker Remix Project
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- Released: January 27, 2010
- Originally Released: 2005
- Label: Savoy Jazz
Description by OLDIES.com:
Charlie "Bird" Parker revolutionized music in the 1940's. His searing solos were sermons to the faithful who hungered for a hipper alternative to Benny Goodman and Glenn Miller - and Parker delivered like a jazz messiah. Now, Parker's classics have been dressed in new threads for a new generation. Welcome to the experience - Bird Up. Features remixes by Me'shell NdegeOcello, Dan The Automator, Rob Swift and more!
CMJ - 10/6/03, p.37"...BIRD UP will greatly change the perception of Jazz remix records..."
- 1.Red HawkNow's The Time (No Time Like Now)
- 2.Me'Shell NdegeOcelloRelaxin' At Camarillo (August 29)
- 3.Hal Willner's Whoops I'm An IndianSalt Peanuts (The Mr. Peanut Chronicles)
- 4.Serj TankianBird Of Paradise (Gone)
- 5.DonkCongo Blues (Silencer)
- 6.Choco & The RZABebop (Live At The Rooftop)
- 7.Dan The AutomatorSteeplechase (Sittin' On 22's)
- 8.Rob Swift Of The X-ecutionersCheers (X-ecutioners Style)
- 9.DonkA Night In Tunisia (Downpour)
- 10.Hal Willner's Whoops I'm An IndianAll The Shadows Of Nuff
- 11.Dan The AutomatorPerhaps (Someday The Roof Will Get Fixed)
- 12.Matthew BackerBarbados (Where Fish Fly)
- 13.El-PConstellation (Heavenly Bodies)
Song previews provided courtesy of iTunes
This is the companion CD to BIRD UP: THE ORIGINALS.
Personnel: Coconut Tree, Wild Children, RZA, Red Hawk, Redback, Serj Tankian, Stephanie Vezina (vocals); Astacio The Nudist (guitar); David Harrington, John Sherba (violin); Hank Dutt (viola); Jennifer Culp (cello); Hubert Laws (flute); Deke Damascus, Ravi Coltrane (soprano saxophone); Garth Hudson (piano, synthesizer); Dr. John (piano); Kodo (taiko); Chris 'Daddy' Dave (programming); The X-ecutioners (scratches); Mermaids (background vocals).
Audio Mixers: Dan the Automator; Matthew Baker; EI P; Nasa ; Rob Swift ; Ari Raskin.
Recording information: 36 Chambers Studios, New York, NY; Africa; Allaire Studios, Shokan, NY; Around The Horn, Now Rule, NY; Chung King, New York, NY; Definitive Jux Studios, Brooklyn, NY; Eedonkin Goes Too, Paris, France; Music Orange, San Francisco, CA; Serjical Strike Studios, Calabasas, CA; Sorcerer Sound Studios, New York, NY; Soulive Studios, New York, NY; The Ablist Recordings, Queens, NY; The Dornmitory, New York, NY; The Gate, Cold Spring, NY; The Glue Factory, San Francisco, CA; Wild Mountain, Paradise, NY.
Photographers: Robert Parent; Herman Leonard.
The idea of an album that remixes the Savoy output of Charlie Parker may be horrifying for some, but before you join the purist mob take a gander at the names involved. Producer Matthew Backer has picked quite a crew of tasteful mavericks to remix the saxophonist, and Hal Willner's multiple appearances alone pay respect to the man who made tribute albums exciting. Willner's Whoops, I'm an Indian project turns "Salt Peanuts" into a musical genre-hopping wild ride with the Kronos Quartet providing the screechy edge and Dr. John laying down some boogie. It could have been a royal mess, but it isn't. Dan the Automator bends the recordings with a smirk and funk, but he's totally outdone by the turntables of the X-Ecutioners, who scratch right along with an especially hot Parker solo. Me'Shell Ndeg‚Ocello plays some deep, intuitive bass to a rather choppy "Relaxin' at Camarillo," and "All the Shadows of Nuff" finds Garth Hudson's keyboards adding the needed lyrical touch to Willner's quick juxtaposition of four separate Parker tunes. System of a Down's frontman, Serj Tankian, provides the album's highlight, sounding like Tom Waits and Bono's love child on the eerie and yearning rave-up "Bird of Paradise (Gone)." Naysayers should hear RZA scatting along with Bird, El-P's trippy mix, or Hubert Laws' expressive flute runs before dismissing the album entirely. Too many likeminded productions with their echoes and crackles make the album easier to take in small doses. Bird Up at least captures the innovative spirit of Charlie Parker, doesn't do any damage to the icon of hip, and makes for an exciting listen. ~ David Jeffries
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