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Private Life
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Your Price:
$16.96
Retail Price:
$19.95
You Save:
$2.99 (15%)
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Item Number:
ISL 5245012 |
Related products:
Personnel: Grace Jones (vocals); Bruce Woolley (guitar, keyboards, background vocals); S.J. Lipson (guitar, bass, keyboards, programming); Barry Reynolds, Mikey (Mao) Chung, J.J. Belle (guitar); Wally Badarou, Andrew Richards (keyboards); Sly Dunbar (synthesizer, drums); Louis Jardim (bass, percussion, background vocals); Robbie Shakespeare (bass); Uzziah "Sticky" Thompson (percussion); The Wall Of Men, Glenn Gregory, John Sinclair, Gary Maughan, The Ambrosian Singers.
Wash Them Go Go: Ju Ju (drums); Little Beats, Shorty Tim (percussion).
The Strictly Unreasonable Zang Tuum Tumb Big Beat Colossus includes: Jamie Talbert (alto saxophone); John Thirkel, Guy Barker, Stuart Brook (trumpet); Pete Beachill (trombone); Geoff Perkins (bass trombone); Frank Ricotti (percussion).
Producers: Chris Blackwell, Alex Sadkin, Trevor Horn.
Compilation producers: Bill Levenson, Jerry Rappaport, Trevor Wyatt.
Recorded at Compass Point Studios, Nassau, Bahamas. Includes liner notes by Brian Chin.
Includes 2 previously unreleased tracks, 4 previously unreleased versions of her hits, and 16 songs appearing for the first time on CD.
A comprehensive collection of Jones' post-disco work, most of it recorded between 1980 and 1982 in Nassau, Bahamas, with a truly remarkable studio band, including the legendary reggae rhythm team of Sly Dunbar and Robbie Shakespeare, along with Marianne Faithful collaborator Barry Reynolds on guitar. The songs--which run the gamut from Smokey Robinson to Chrissie Hynde to Johnny Cash--are generally arranged in an innovative, ahead-of-their-time way (echoey yet spare, with lots of deep bass) that owes a bit to dub and in any case provides a perfect backdrop for Jones' Queen of the Undead vocals.
Spin - 7/98, pp.124-125
8 (out of 10) - "...These songs capture the vibe of the early 1980s demilitarized zone between disco and hip-hop, when black pop slowed down the tempo but remained party-friendly and percolated in a distinctly African way..."Entertainment Weekly - 6/19/98, p.75
"...Her mannish, sing-speak delivery (imagine a Jamaican Lotte Lenya) bristles with sexual frisson, and driven by Sly & Robbie's cyber-dub rhythms on those early-'80s sessions, it made for transgressive dance-floor epics that bridged new-wave chill and `Saturday Night Fever'..." - Rating: B+
Tracks of Disc 1:
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Tracks of Disc 2:
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