Product Description:
This 1999 reissue contains five bonus tracks not on the original release.
Personnel: Stevie Ray Vaughan (vocals, guitar); Jimmie Vaughan (guitar); Stan Harrison (tenor saxophone); Tommy Shannon (bass); Chris "Whipper" Layton, Fran Christina (drums).
Producers: Chris Layton, Stevie Ray Vaughan, Tommy Shannon, Richard Mullen, Jim Capfer.
Reissue producer: Bob Irwin.
Originally released on Epic (39304). Includes liner notes by Bill Milkowski.
Digitally remastered by Vic Anesini (Sony Music Studios, New York, New York).
Master Sound releases are 24-karat gold CDs remastered from first generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.
Personnel: Stevie Ray Vaughan (guitar, vocals); Jimmie Vaughan (guitar); Stan Harrison (tenor saxophone); Tommy Shannon (bass); Chris "Whipper" Layton, Fran Christina (drums).
Producers: Chris Layton, Stevie Ray Vaughan, Tommy Shannon, Richard Mullen, Jim Capfer.
Stevie Ray was already the hottest act in Austin, Texas, way before David Bowie used his guitar on "Let's Dance." Vaughan's 1983 debut album, TEXAS FLOOD, had alerted the world to a new guitar phenomenon who combined the blues power of Freddie and Albert King with the inspired ferocity of Jimi Hendrix. He made the Hendrix connection plain with his take on "Voodoo Chile (Slight Return)," which rapidly became a concert highlight. At the other extreme was "Tin Pan Alley," a slow blues made famous by Jimmy Wilson but now associated with the Texas hotshot. This was the time when Stevie Ray's celebrity and status among his peers was at least the equal of Eric Clapton. The pitfalls were beckoning.
Stevie Ray was already the hottest act in Austin, Texas, way before David Bowie used his guitar on "Let's Dance." Vaughan's 1983 debut album, TEXAS FLOOD, had alerted the world to a new guitar phenomenon who combined the blues power of Freddie and Albert King with the inspired ferocity of Jimi Hendrix. He made the Hendrix connection plain with his take on "Voodoo Chile (Slight Return)," which rapidly became a concert highlight. At the other extreme was "Tin Pan Alley," a slow blues made famous by Jimmy Wilson but now associated with the Texas hotshot. This was the time when Stevie Ray's celebrity and status among his peers was at least the equal of Eric Clapton. The pitfalls were beckoning.
Entertainment Reviews:
Entertainment Weekly - 4/2/99, p.95
"The late Texas guitarist was a fiercely distinctive blues-rock phenom whose sensitivity and imagination justified his rapid rise to prominence..."
Entertainment Weekly - 4/2/99, p.95
"The late Texas guitarist was a fiercely distinctive blues-rock phenom whose sensitivity and imagination justified his rapid rise to prominence..."
Q - 5/95, p.138
4 Stars - Excellent - "...Vaughan's post-Hendrix Stratocasting still sparkles....a reminder of the wit that often informed his phrasing and his willingness to torch them boundaries..."
Q - 5/95, p.138
4 Stars - Excellent - "...Vaughan's post-Hendrix Stratocasting still sparkles....a reminder of the wit that often informed his phrasing and his willingness to torch them boundaries..."
For personal non-commercial use only. All rights reserved.
Tracks:
