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Bootleg Series, Volume 4
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Your Price:
$16.98
Retail Price:
$19.98
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$3.00 (15%)
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Item Number:
CBS 65759 |
Related products:
Bootleg Series Volumes:
LIVE 1966... includes a 56-page booklet filled with rare photographs.
Personnel: Bob Dylan (vocals, acoustic & electric guitars, harmonica, piano); Robbie Roberston (guitar); Richard Manuel (piano); Garth Hudson (organ); Rick Danko (bass, background vocals); Mickey Jones (drums).
Recorded live at the Manchester Free Hall, Manchester, England on May 17, 1966.
Includes liner notes by Tony Glover.
A bootleg so legendary its incorrect origin graces the title of the official release, the Manchester-recorded "ROYAL ALBERT HALL" CONCERT documents one of rock and roll's watershed moments. The folk prophet's embrace of electricity in the face of his audience's dissatisfaction with such a decision is among the finest rock myths. This performance, recorded in the last days of Dylan's epochal 1965-66 world tour, proves the music he was creating at the time every bit as extraordinary and complex as the greatest art of the 20th century; Picasso, Joyce, and Kurosawa spring to mind much faster than any popular musicians.
The show's first half consists of folkie-friendly acoustic tunes--though one wonders what stringent folkies made of the hallucinatory wordplay of "Desolation Row." When the Hawks join him onstage, the calm atmosphere becomes a deafening din, as coffeehouse introspection dresses up in garage amps turned to eleven, treating the stale traditionalists to a post-modern hootenanny. Robbie Robertson and Dylan trade electric guitar catcalls, like gunslingers grazing each other with bullets just for fun. Garth Hudson's organ rolls out a juke-joint groove. And the bard delivers a batch of songs bursting with ideas of self-identity and social existence that are, even today, standard-bearers.
Rolling Stone - 5/13/99, p.52
Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone - 10/29/98, p.74
4.5 Stars (out of 5) - "...a vicious, exhilarating reminder that rock & roll...once had the power...to be a weapon of argument and vengeance....it often feels like Dylan and the Hawks are playing into a fierce wind, fighting the tide of attitude with venomous glee..."Spin - 1/99, pp.120-121
7 (out of 10) - "...His naysayers were probably right to reject his conviction as posturing, although the mod suit and pointed boots he wore that night were certainly no more `inauthentic' than his old hobo hat and coat....The audience tension admittedly pushes Dylan and company into an intense performance..."Entertainment Weekly - 10/16/98, pp.84-85
"...From the snarl of Robbie Robertson's guitar to the carnival-carousel tone of Garth Hudson's organ to the prodding sneer of Dylan's voice, it's a joyful mess....that sense of exploration electrifies the music in multiple ways..." - Rating: A
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