- Released: June 12, 2001
- Originally Released: 2001
- Label: Sbme Special Mkts.
Q - Summer/01, p.1203 stars out of 5
- "...Feels like the ELO obituary it was..."
- 1.Secret Messages
- 2.Loser Gone Wild
- 4.Take Me On And On
- 5.Time After Time
- 6.Four Little Diamonds
- 8.Danger Ahead
- 9.Letter From Spain
- 10.Train Of Gold
- 11.Rock 'N' Roll Is King
- 12.No Way Out
- 13.Endless Lies
- 14.After All
Electric Light Orchestra: Jeff Lynne (vocals, guitar, piano, synthesizer, bass, percussion); Richard Tandy (harmonica, piano, synthesizer); Kelly Groucutt (bass, background vocals); Bev Bevan (drums, percussion).
Additional personnel: Mik Kaminski (violin); Dave Morgan (background vocals).
Producer: Jeff Lynne.
Reissue producerds: Jeff Lynne, Al Quaglieri.
Recorded at Wisselord Studios, Hilversum, Holland.
Includes liner notes by Jeff Lynne.
All tracks have been digitally remastered.
Personnel: Jeff Lynne (vocals, guitar, piano, keyboards, synthesizer, Oberheim synthesizer, bass guitar, percussion, background vocals); Bev Bevan (vocals, drums, percussion); Dave Morgan (vocals, background vocals); Mik Kaminski (violin); Richard Tandy (harmonica, piano, grand piano, electric piano, synthesizer, Oberheim synthesizer); Kelly Groucutt (bass guitar, background vocals).
Liner Note Author: Jeff Lynne.
Recording information: Wisselord Studios, Hilversum, The Netherlands.
Unknown Contributor Roles: Christine Wilson; Kim & Reggie Harris.
In the early '80s, another wave of backward-masking hysteria hit the national scene, with unfounded claims that popular rock bands intentionally hid Satanic messages in their records. ELO had already been hit with this rumor for a song on their album ELDORADO, and on the following album's "Fire on High," Jeff Lynne deliberately placed an obvious backwards message. Because the initial prank worked so well, Lynne did not only did it again in this album's opening--the message is simply the album's title--but named the album in honor of the hysteria. SECRET MESSAGES proves that Lynne's artistic vision, like his sense of humor, was undimmed. Tracks like the psychedelically tinged "Loser Gone Wild" and the delicate "Bluebird" are as strong as anything he'd previously done, and the rockabillyish "Rock and Roll Is King" even pays tribute to the '50s-influenced style of his former bandmate Roy Wood.