Uncut - 6/03, p.1374 stars out of 5
- "...The main interest for Brubeck fans will be engaging with the man's personal view of his music..."
Personnel: Dave Brubeck (leader, piano); Tony Bennett, Louis Armstrong, Carmen McRae, Jimmy Rushing; (vocals); Paul Desmond, Bobby Militello (alto saxophone); Jerry Bergonzi (tenor saxophone); Gerry Mulligan (baritone saxophone); Bill Smith (clarinet); Norman Bates, Eugene Wright, Ron Crotty, Bob Bates, Jack Six, Michael Moore (bass); Chris Brubeck (electric bass); Joe Morello, Carl Tjader, Lloyd Davis, Joe Dodge, Alan Dawson, Butch Miles, Randy Jones (drums).
Producers include: Dave Brubeck, Chris Brubeck, George Avakian, Teo Macero, Cal Lampley.
Compilation producers: Russell Gloyd, Didier C. Deutsch.
Recorded between 1949 & 2002. Includes liner notes by Joel Lewis.
Personnel: Dave Brubeck (piano); Jimmy Rushing, Louis Armstrong, Carmen McRae (vocals); Bill Airey Smith (clarinet); Paul Desmond, Bobby Militello (alto saxophone); Jerry Bergonzi (tenor saxophone); Gerry Mulligan (baritone saxophone); Chris Brubeck (electric bass); Joe Morello, Butch Miles, Lloyd Davis, Cal Tjader (drums).
Audio Mixers: Mark Wilder; Darcy Proper.
Recording information: Basin Street, New York, NY; CBS 30th Street Studios, New York, NY; Copenhagen, Denmark; Mexico City, Mexico; Oakland, CA; Oberlin College, Oberlin, OH; San Francisco, CA; The Concord Jazz Festival, Concord, CA; University of Michigan, Ann Arbor, MI.
Photographers: Don Hunstein; Bob Willoughby.
Unknown Contributor Role: Hank Parker.
Arrangers: Dave Brubeck; Howard Brubeck; Russell Gloyd.
This double-disc overview collects 31 tracks selected by Dave Brubeck and provides an excellent overview of his long career. While the temptation would be to concentrate on the wildly successful run of albums his quartet -- with saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello -- cut for the label between 1958 and 1967, this compilation actually contains cuts from 24 albums recorded between 1949 and 2002, and draws from numerous labels, settings, concerts, and studio sessions. Certainly most of the hits are here, including "Take Five" and "Blue Rondo … la Turk," but so are lesser-known favorites from the early years, including live versions of Duke Ellington tunes such as "Perdido" and "Take the 'A' Train." In addition, Brubeck has often chosen mono versions over later stereo ones and the set is all the better for it -- go no further than the spooky modal blues called "Audrey" on disc one for proof. Disc two provides much of the better-known material, including some excellent takes on show tunes such as the theme from Mr. Broadway and "Maria" from West Side Story. While it's true that Time Out provides an excellent introduction to the music of Brubeck's famed quartet all by itself, this collection is a compelling introduction for the beginner to get the vast range of Dave Brubeck's musical range and complexities as a composer, as well as his dynamite presence as a performer. ~ Thom Jurek