- Released: August 11, 1992
- Originally Released: 1992
- Label: Blue Note Records
- 1.Moment's Notice
- 2.Blue Train
- 3.Speak Low
- 4.Just For The Love
- 6.Trane's Blues (AKA John Paul Jones)
- 8.Shifting Down
Personnel includes: John Coltrane (tenor saxophone), Lee Morgan, Donald Byrd, Kenny Dorham (trumpets), Curtis Fuller (trombone), Kenny Drew, Sonny Clark, Horace Silver, Cecil Taylor (piano), Kenny Burrell (guitar) Paul Chambers, Chuck Israels (bass), Art Taylor, Philly Joe Jones, Louis Hayes (drums).
Producers: Alfred Lion, Bert Kimmel, Tom Wilson.
Compilation producer: Michael Cuscuna.
Engineers: Rudy Van Gelder, Don Blake, Fernando Vargas.
Recorded at Van Gelder Studio, Hackensack, New Jersey; Western Recorders, Los Angeles, California; and in New York between 1956 and 1957. Includes liner notes by Carl Woideck.
All selections are stereo except tracks 4-7.
Assembled in 1992, this Blue Note CD should not be confused with an Atlantic release titled The Art of John Coltrane: The Atlantic Years. While that anthology focuses on the sax giant's Atlantic output of the late '50s and early '60s, this Art of John Coltrane spotlights his work for Blue Note from 1956-1958 -- most of it as a sideman. Thankfully, Blue Note had better taste than to give this CD an inappropriate title like "John Coltrane: The Blue Note Years." Such a title would have been inappropriate, because 1957's Blue Train was the only album that he recorded for Blue Note as a leader -- the vast majority of his pre-Atlantic albums were recorded for Prestige. Nonetheless, The Art of John Coltrane paints an exciting picture of his hard bop period. The CD contains two tracks from Blue Train: the exuberant "Moment's Notice" and the title piece, both of which illustrate that album's excellence. Coltrane is heard as a sideman on all of the other selections, which come from other artists' Blue Note sessions. And even though Coltrane isn't the leader, he is prominently featured on performances of Charlie Parker's "Dexterity," the standard "Speak Low," and "Trane's Blues" (also known as "John Paul Jones"). Meanwhile, Kenny Dorham's "Shifting Down" is from a 1958 session led by avant-garde pianist Cecil Taylor. Although not as radical as the free jazz Taylor would provide in the '60s, "Shifting Down" is quite advanced for 1958 -- even in the '50s, Taylor was a forward thinker. And the term "forward thinker" certainly applies to Coltrane as well. Although not essential, this enjoyable disc demonstrates that the saxophonist was a distinctive, open-minded risk-taker before he signed with Atlantic and became one of the leaders of modal post-bop. ~ Alex Henderson