Freddie Hubbard Hub-Tones [Bonus Tracks]
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- Released: May 18, 1999
- Originally Released: 1999
- Label: Blue Note Records
- 1.You're My Everything
- 2.Prophet Jennings
- 4.Lament For Booker
- 5.For Spee's Sake
- 6.You're My Everything
- 8.For Spee's Sake
The Rudy Van Gelder Edition of HUB-TONES includes an essay by Bob
Personnel: Freddie Hubbard (trumpet); James Spaulding (alto saxophone, flute); Herbie Hancock (piano); Reggie Workman (bass); Clifford Jarvis (drums).
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on October 10, 1962. Originally released on Blue Note (84115). Includes liner notes by Joe Goldberg and Bob Blumenthal.
Digitally remastered using 24-bit technology by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
Personnel: Freddie Hubbard (trumpet); James Spaulding (flute, alto saxophone); Herbie Hancock (piano); Clifford Jarvis (drums).
Liner Note Author: Joe Goldberg.
Recording information: 10/10/1962.
Freddie Hubbard's HUB-TONES, a consummate Blue Note date from the early '60s, is the trumpeter's most highly acclaimed disc. Hubbard fronts a standard quintet here, with fine support from James Spaulding, Herbie Hancock, Reggie Workman, and Clifford Jarvis. The trumpeter's style is more clearly defined than on past efforts with a signature approach that Hubbard would continue throughout the remainder of the hard bop era. Indeed, this particular session signaled Hubbard's arrival as one of the giants of the trumpet and a leader of modern jazz.
Significantly, HUB-TONES establishes Hubbard as a masterful composer as well as an interpreter of standards. The opening "You're My Everything" is one of the latter, but the remainder of the cuts are Hubbard's. The lightly swinging "Prophet Jennings" features a muted melody accompanied by Spaulding's delicate flute. The classic title track, presented here in two takes, is the disc's highlight; a raucous, machine gun-like head that opens up into a burning solo session featuring stunning work by all. The moving "Lament For Booker" follows, showcasing Hubbard's velvety ballad style with tasteful support from Spaulding and Hancock. Finally, the fiery "For Spee's Sake" wraps up this essential session.
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