Electric Ladyland

by Jimi Hendrix

Product Description:

The Jimi Hendrix Experience: Jimi Hendrix (vocals, guitar, bass); Noel Redding (vocals, bass); Mitch Mitchell (vocals, drums).

Additional personnel: Chris Wood (flute); Freddie Smith (tenor saxophone); Al Kooper (piano); Mike Finnigan, Steve Winwood (organ); Jack Casady (bass); Buddy Miles (drums); Larry Faucette (congas).

Principally recorded at the Record Plant, New York, New York in April and May 1968.

Originally released on Reprise.

Includes liner notes by Derek Taylor.

This edition of ELECTRIC LADYLAND comes packaged with the CD ELECTRIC LADYLAND. Both are also available separately.

Aired on VH-1 and PBS, the video of ELECTRIC LADYLAND includes new interviews, performances, and additional footage not previously seen.

The Jimi Hendrix Experience: Jimi Hendrix (electric guitar, bass, vocals); Noel Redding (bass, vocals); Mitch Mitchell (drums, vocals).

Additional personnel: Chris Wood (flute); Freddie Smith (tenor saxophone); Al Kooper (piano); Mike Finnigan, Steve Winwood (organ); Jack Casady (bass); Buddy Miles (drums); Larry Faucette (congas).

Principally recorded in April and May 1968 at the Record Plant, New York, New York. Some tracks recorded earlier at Olympic Studios, London, England.

On ELECTRIC LADYLAND Jimi Hendrix stretched and experimented in the studio, going beyond the power-trio format on what would be his last studio album with the Experience. ELECTRIC LADYLAND was revolutionary in its scope and execution. Using New York City's Record Plant as a gateway to free expression, Hendrix traversed an abstract landscape containing compositions as weird and wonderful as "...And The Gods Made Love" and "1983...(A Merman I Should Turn To Be)."

Simultaneously looking forwards and backwards, Hendrix mixed in a song reminiscent of his time on the chitlin' circuit (Earl King's "Come On [Part 1]"), a Bob Dylan favorite ("All Along The Watchtower"), and one of his snappiest singles ("Crosstown Traffic"). Although Hendrix produced and wrote most of this masterpiece, others weighed in with their own contributions. Noel Redding penned "Little Miss Strange," and other guests such as Al Kooper and Buddy Miles showed up to play. Traffic's Steve Winwood and Jack Casady of Jefferson Airplane also made cameos, appearing on this classic album's spiritual center, "Voodoo Chile (Slight Return)."

On ELECTRIC LADYLAND Jimi Hendrix stretched and experimented in the studio, going beyond the power-trio format on what would be his last studio album with the Experience. ELECTRIC LADYLAND was revolutionary in its scope and execution. Using New York City's Record Plant as a gateway to free expression, Hendrix traversed an abstract landscape containing compositions as weird and wonderful as "...And The Gods Made Love" and "1983...(A Merman I Should Turn To Be)."

Simultaneously looking forwards and backwards, Hendrix mixed in a song reminiscent of his time on the chitlin' circuit (Earl King's "Come On [Part 1]"), a Bob Dylan favorite ("All Along The Watchtower"), and one of his snappiest singles ("Crosstown Traffic"). Although Hendrix produced and wrote most of this masterpiece, others weighed in with their own contributions. Noel Redding penned "Little Miss Strange," and other guests such as Al Kooper and Buddy Miles showed up to play. Traffic's Steve Winwood and Jack Casady of Jefferson Airplane also made cameos, appearing on this classic album's spiritual center, "Voodoo Chile (Slight Return)."