- Rated: PG-13
- Run Time: 1 hours, 56 minutes
- Video: Color
- Released: April 15, 2011
- Originally Released: 1998
- Label: Miramax Lionsgate
- Encoding: Region 1 (USA & Canada)
- Aspect Ratio: Widescreen
- DTS Surround 5.1 - English, Italian
- PCM Stereo - English, Italian
- Subtitles - English
Performers, Cast and Crew:
Memorable Quotes and Dialog:
"Buon giorno, principessa!"
- Guido (Roberto Benigni) to Dora (Nicoletta Braschi)
"No spiders or Visigoths allowed."
- Guido to his son, Giosué (Giorgio Cantarini)
"You can lose all your points for any one of three things. One--if you cry. Two--if you ask to see your mother. Three--if you're hungry and ask for a snack! Forget it!"
- Guido to Giosué
"We play the part of the real mean guys who yell."
- Guido, supposedly translating a German soldier
"Don't ask for any lollipops. We eat them all."
- Guido, still translating a German soldier
"They make buttons and soap out of us."
- Giosué to Guido
"Fat, fat, ugly, ugly, all yellow in reality, if you ask me what I am, I answer 'cheep, cheep, cheep.' Walking along I go, 'poo poo.' What am I' Tell me true."
- Dr. Lessing (Horst Bucholz) to Guido
Academy Awards 1998 -
Best Actor: Roberto Benigni
Academy Awards 1998 -
Best Foreign Language Film
Academy Awards 1998 -
Best Original Score: Nicola Piovani
Cannes 1998 -
Sight and Sound - 02/??/1999
"...[A] magnificent film....Real emotional strength..."
Entertainment Weekly - 11/06/1998
"...[Benigni] succeeds, to an extraordinary degree, in reviving the neo-Technicolor lushness and affectionate screwball rhythms of postwar Hollywood....A delicate romance spiked with antifascist farce..."
Premiere - 10/01/1998
"...[Benigni] puts a serious spin on his comic genius..."
New York Times - 10/23/1998
"...Mr. Benigni effectively creates a situation in which comedy is courage. And he draws from this an unpretentious, enormously likable film that plays with history both seriously and mischievously..."
Box Office - 07/01/1998
"...[The film] explores the power of laughter to lift the human spirit even in the face of extreme tragedy..."
Los Angeles Times - 10/23/1998
"...[Benigni is] one of the world's most irresistibly funny people. A mischief-maker percolating with infectious energy and a machine-gun verbal style, he blends an Everyman aura with the ability to infuse his characters with believable innocence..."
Total Film - 06/01/2012
4 stars out of 5 -- "It's surreal, agonising, sad and, yes, funny....[It's Benigni's] ambition, wit and sincerity that help his film find surprising poignancies, in the middle of humanity's most terrible absurdities."
Conjuring keys and hats out of thin air, Guido (Roberto Benigni), a clever Jewish-Italian waiter, successfully courts Dora (Nicoletta Braschi), a beautiful local woman, in Fascist pre-WWII Italy. His life, however, is turned upside down a few years later when he, Dora, and their young son, Giosué (Giorgio Cantarini), are sent to a Nazi concentration camp. Refusing to give up hope, Guido tries to protect his son's innocence by pretending that their imprisonment is just an elaborate game, with the grand prize being a tank.
For years the box-office champ in Italy and the country's most beloved slapstick comic, the Chaplinesque Benigni took a huge risk with LIFE IS BEAUTIFUL. Many people worried that the film would be as offensive as plopping a cartoon character in Auschwitz. (A similar work--THE DAY THE CLOWN CRIED, a Jerry Lewis film about a comedian in a concentration camp--turned out to be a disaster two decades earlier.) Although LIFE IS BEAUTIFUL did provoke some controversy, many people found the film to be a poignant, tragicomic story that profoundly reaffirmed the humanity of concentration camp victims. The film became the highest grossing foreign language film in the U.S. and established Benigni as an international star.
In LIFE IS BEAUTIFUL, a endearing Jewish-Italian waiter in pre-WWII Italy courts a lovely local woman. A few years later, when he and his idyllic family are taken to a Nazi concentration camp, he uses his magical gifts of humor and romance to see his wife and son through their uncertain days.
Essential Cinema |
Tear Jerker |
- Theatrical release: October 23, 1998.
- Filmed on location in Italy. The first half of the film is set in Arezzo, the town where Roberto Benigni grew up.
- LIFE IS BEAUTIFUL grossed more than $57 million at the domestic box office and $222 million worldwide. After its initial release, the film became the highest-grossing foreign film in the United States. (CROUCHING TIGER, HIDDEN DRAGON bested that in 2001.) LIFE IS BEAUTIFUL also became the second highest-grossing film in Italy, after TITANIC.
- The idea for LIFE IS BEAUTIFUL began as an improvisation between Benigni and his coscreenwriter, Vincenzo Cerami. According to Benigni, he wanted to imagine his body in an "extreme situation."
Benigni's father, Luigi, was a farmer drafted into Mussolini's army. After Italy dropped out of the Axis coalition, Luigi was captured by the Nazis in Albania in 1943. He worked in a labor camp for two years. Later, when recounting his experiences to his children, he told the stories in a funny way. In an interview with Salon, Benigni said, "Like in my movie, my father was telling us like it was a fable. He was afraid to make us fearful. He was protecting us, like I am protecting the son in the movie, because this is the first instinct--to protect the son."
- Giorgio Cantarini, who plays Benigni's son in the film, also appears briefly as the son of Maximus (Russell Crowe) in GLADIATOR.
- Benigni's wife, Nicoletta Braschi, who has appeared in several movies with her husband, initially didn't want to participate in the project because she thought it might be too offensive. Concerned that the film might offend Holocaust survivors, Benigni consulted with a Jewish group in Milan before making the film. Marcello Pezzetti of the Center for Contemporary Hebrew Documentation served as a historical consultant. One recommendation they made was that the film be labeled a fable.
The film was screened at the Jerusalem Film Festival in July 1998 and won the best Jewish experience prize. Benigni also received an award from the mayor of Jerusalem for futhering the understanding of Jewish history. Others, however, did not like the film's representation of the Holocaust. Art Spiegelman created a cartoon in the New Yorker of a concentration camp victim holding an Oscar in a barb-wire cell; the caption of the cartoon read, "Be a part of history and the most successful foreign film of all time."
- After accepting his Oscar for Best Actor, Benigni shouted, "I would like to be Jupiter and kidnap everybody and lie down in the firmament making love to everybody!" He is the first Italian to win an Oscar for Best Actor. (Two Italian women have won for Best Actress: Sophia Loren in 1961 for TWO WOMEN and Anna Magnani in 1955 for THE ROSE TATTOO.) Benigni is also the first director in 50 years (since Laurence Olivier) to win a Best Actor Oscar under his own direction. LIFE IS BEAUTIFUL is the first film since Z (1969) to be nominated for both Best Picture and Best Foreign Film and the 12th Italian film to win for Best Foreign Film.
- The number on Guido's prison uniform is the same number on the uniform of Chaplin's character in THE GREAT DICTATOR.
- The tank is a reference to Ernest Lubitsch's film TO BE OR NOT TO BE, in which a man gives a little boy a tank as a gift.
- Like his character in LIFE IS BEAUTIFUL, Benigni enjoys riddles and linguistic games. As a child he excelled in ottava rima competitions, in which two people debate in the form of eight-line rhymes. Benigni is known to exchange verbal puzzles with the Italian semiotician Umberto Eco.
- "There is an anecdote with Franz Kafka. Once a friend of his, Max Brod, invited him to sleep in his house. He didn't know the house so when he got there he went into the wrong room where Max's father was sleeping. And Kafka said to him, 'Oh, I'm sorry, I didn't mean to disturb. Consider me a dream.' So consider this movie a dream. I don't want to bother anybody with this movie, it's just a dream."--Benigni, in an interview with the Guardian (11/7/1998)