Bad Company Straight Shooter
14 copies available
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- Released: July 19, 1994
- Originally Released: 1994
- Label: Atlantic
Q - 12/94, pp.157-84 Stars - Excellent - "...STRAIGHT SHOOTER refined their irresistibly commercial melodic hard rock into perfectly consumable bite-size chunks, mixing up vigorous dandruff-shakers like 'Good Loving Gone Bad'...with more contemplative material like 'Anna'..."
- 1.Good Lovin' Gone Bad
- 2.Feel Like Makin' Love
- 3.Weep No More
- 4.Shooting Star
- 5.Deal With The Preacher
- 6.Wild Fire Woman
- 8.Call On Me
Bad Company: Paul Rodgers (vocals, guitar); Mick Ralphs (guitar); Boz Burrell (bass); Simon Kirke (drums).
Recorded on Ronnie Lane's Mobile at Clearwell Castle, Gloucestershire, England in September 1974.
Digitally remastered by George Marino.
Personnel: Paul Rodgers (guitar, accordion, piano); Mick Ralphs (guitar, keyboards); Jimmy Horowitz (strings); Simon Kirke (drums).
Audio Mixer: Ron Nevison.
Audio Remasterer: George Marino.
Recording information: Clearwell Castle, Gloucestershire, England (09/1974).
Cut straight on the heels of Bad Company's 1974 debut -- just a matter of three months later; not quite long enough to know how big a success the first LP would be -- Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around. Where Bad Company was stark, minimalist hard rock, Straight Shooter bears lots of different, vibrant colors: acoustic guitars are used for light and shade, guitars are channeled through chorus pedals, pianos and organs alternate with the occasional wash of strings, and the entire thing feels bigger and bolder than before. Sometimes, it is also better: the two big hits, "Feel Like Makin' Love" and "Shooting Star," became classic rock staples due to this expanded aural vocabulary, and even straight-ahead rockers like "Good Lovin' Gone Bad" and "Deal with the Preacher" benefit from this additional muscle, while they feel comfortable enough to settle into a soulful groove on "Anna" and "Call on Me." This dexterity compensates for the occasional stumble -- aka, the hamfisted funk-rock of "Wild Fire Woman" -- and shows that Bad Company can sound just as powerful and threatening when they're not concentrating on a heavy guitar crunch. ~ Stephen Thomas Erlewine
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