Al Green Back Up Train
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- Released: July 12, 2005
- Originally Released: 2005
- Label: Sony Mod - Afw Line
Description by OLDIES.com:
Long before he became the classiest crooner since Sam Cooke; before he blessed us with love and happiness; before his success at Hi Records in Memphis with producer Willie Mitchell set the standard for soothing, silken soul; before he preached the gospel with "Tired of Being Alone" and "I'm Still in Love With You"; and before he topped the charts with "Livin' For You," "You Ought To Be With Me" and "Let's Stay Together," the Reverend Al Green cut these stirring sides in 1967 with the Soul Mates, in New York. And he never sounded better. Strong in voice and spirit, the Al Green story starts here.
- $0.99 on iTunes1.Back Up Train
- $0.99 on iTunes2.Hot Wire
- $0.99 on iTunes3.Stop And Check Myself
- $0.99 on iTunes4.Let Me Help You
- $0.99 on iTunes5.I'm Reaching Out
- $0.99 on iTunes6.Don't Hurt Me No More
- $0.99 on iTunes7.Don't Leave Me
- $0.99 on iTunes8.I'll Be Good To You
- $0.99 on iTunes9.Guilty
- $0.99 on iTunes10.That's All It Takes (Lady)
- $0.99 on iTunes11.Get Yourself Together
- $0.99 on iTunes12.What's It All About
- $0.99 on iTunes13.A Lover's Hideaway (Bonus Track)(Mono)
Song previews provided courtesy of iTunes
Liner Note Author: Anthony Heilbut.
Recording information: Olmstead Sound Studios, NY (1967-1968).
Photographer: Lynn Goldsmith.
Nearly forgotten by all but serious soul fans, Back Up Train is Al Green's debut. Released in 1967, when he was still billed as "Al Greene" and before he worked with producer Willie Mitchell, the record is a perfectly serviceable slice of slightly sweet period soul -- perhaps a little generic, but never less than pleasant. Much of the record was either written or co-written by the album's producers, Palmer E. James and Curtis Rodgers, who were not just part of Hot Line Records, but in the Creations, Green's previous backing band. Though they're fine as producers, they didn't have strong material as songwriters, never producing something as limber and memorable as Green's lone songwriting credit, "Stop and Check Myself." Musically, this number, along with a few other cuts, suggest the tight, sexy sound of his seminal Hi albums, but they're nowhere near as seductive as those slow grooves, nor are they as effortless. Still, it's possible to hear their roots throughout the record. Green's voice, while not as smooth as it would be just a few years later, shows enormous talent, he's equally comfortable with ballads and funky workouts, and the production, while dated, is quite appealing in how it falls somewhere between the grit of Memphis and the sweetness of Chicago soul. Back Up Train is good enough that if Green hadn't gone on to greater work, this would be the kind of record soul fanatics would treasure and trade, speculating on what might have happened if Green had been given another shot. Of course, Green went on to bigger, better things, and this stands as no more than a footnote to his career, but it's an interesting, enjoyable footnote all the same. ~ Stephen Thomas Erlewine
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