‘None of us are very good musicians and I think that helps a lot’. Despite a reputation as 4AD Records’ longest-serving glacial post-punk outfit, such generic descriptions hardly embraced the width of the Wolfgang Press’ songwriting arsenal. Comprising Andrew Gray (guitar), Mark Cox (keyboards) and Mick Allen (vocals), they took more responsibility for their packaging and image than many of their label’s fellow travellers, producing an intriguing range of records, covers and videos. Their recorded fare, however, continued to be imaginative but insubstantial. Support slots on tours with the Pixies and Nick Cave had given the band a higher profile in Europe and the USA than they enjoyed domestically by the close of the 80s, where their sound collages were viewed as too eclectic to fit any particular strain of modern ‘indie’ music. Following several albums of edgy, fragmented pop sounds, they began the next decade with a plunge into...
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