Saturday Looks Good To Me Similar Artists

The Aislers Set - 28% match to Saturday Looks Good To Me

Genres: Pop / Rock
Decades Active: 1990s 2000s
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San Francisco band The Aislers Set formed in 1997, crafting a sound that was informed by the lo-fi indie-pop of the British C-86 movement of the '80s. They released their first album, TERRIBLE THINGS HAPPEN, to critical acclaim the following year. The band's sound became more elaborate, and their successive albums even more highly praised, over the next several years, and they Read more

Dressy Bessy - 15% match to Saturday Looks Good To Me

Genres: Pop / Rock
Decades Active: 1990s 2000s
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Although they could neatly be classified in the alt pop category, this Denver, Colorado, USA-based trio also exhibit elements of 60s pop. The band formed during October 1997, when Tammy Ealom (vocals/guitar) and Darren Albert (drums) met at a local record store. Albert had recently moved to Colorado from Staten Island, New York, along with his bass player friend, Rob Greene, wh Read more

The Pastels - 14% match to Saturday Looks Good To Me

Genres: Pop / Rock
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Acid House Kings - 13% match to Saturday Looks Good To Me

Genres: Pop / Rock
Decades Active: 1990s 2000s
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Formed in 1991 by Joakim Ödlund (guitar) and brothers Niklas Angergård (guitar/vocals) and Johan Angergård (22 March 1974, Ängelholm, Scania, Sweden; bass), this Swedish indie pop band released a number of limited edition vinyl singles before making Pop, Look & Listen! in 1992. The album reprised the twee pop sound of Ödlund and Johan Angerg&ar Read more

Love Is All - 13% match to Saturday Looks Good To Me

Genres: Pop / Rock
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The Field Mice - 13% match to Saturday Looks Good To Me

Genres: Pop / Rock
Decades Active: 2000s
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Formed in Surrey, England, in 1987 by principal songwriter Robert Wratten (5 August 1966, Carshalton, Surrey, England; guitar/vocals) and Mark Dobson (b. 27 April 1965, Hartlepool, England; drums), the Field Mice linked up with Bristol-based Sarah Records for a series of records that unwittingly pigeonholed both band and label as exponents of whimsical, sensitive pop songs. Read more


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