Hank Mobley
- 99% match to Milt Jackson
Henry Mobley, 7 July 1930, Eastman, Georgia, USA, d. 30 May 1986, Philadelphia, Pennsylvania, USA. Tenor saxophonist Mobley began his professional career with an R&B band in 1950. The following year, he was attracting the attention of such important beboppers as Max Roach and Dizzy Gillespie, and by 1954 his stature was such that he was invited to become a founder member
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Horace Silver
- 98% match to Milt Jackson
Horace Ward Martin Tavares Silva, 2 September 1928, Norwalk, Connecticut, USA. Silver studied piano and tenor saxophone at school, settling on the former instrument for his professional career. Early influences included Portuguese folk music (from his father), blues and bop. He formed a trio for local gigs which included backing visiting musicians. One such visitor, Stan Get
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Bud Powell
- 82% match to Milt Jackson
Earl Rudolph Powell, 27 September 1924, Harlem, New York City, New York, USA, d. 31 July 1966, New York City, New York, USA. After learning to play the piano in the classical tradition while still a child, Powell began working around New Yorks Coney Island, where he played in a band featuring Valaida Snow around 1940. During the next couple of years he became a regular
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Lou Donaldson
- 80% match to Milt Jackson
1 November 1926, Badin, North Carolina, USA. Donaldson started on clarinet but, while playing in a band in the US Navy alongside Willie Smith and Clark Terry, he switched to alto saxophone. In the early 50s he was in New York, playing with Thelonious Monk, Horace Silver, Blue Mitchell, Art Blakey and other leading jazzmen. In 1954 he and Clifford Brown joined Blakeys J
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Kenny Dorham
- 79% match to Milt Jackson
McKinley Howard Dorham, 30 August 1924, Fairfield, Texas, USA, d. 5 December 1972, New York City, New York, USA. After learning to play trumpet while at high school, Dorham played in several late 40s big bands, including Lionel Hamptons and, more significantly given his musical leanings, the bop-orientated outfits of Dizzy Gillespie and Billy Eckstine. He was originall
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Lee Morgan
- 79% match to Milt Jackson
10 July 1938, Philadelphia, Pennsylvania, USA, d. 19 February 1972, New York City, New York, USA. Prodigiously talented, Morgan played trumpet professionally at the age of 15 and three years later joined Dizzy Gillespies big band. During this same period he recorded with John Coltrane, Hank Mobley and others. In 1958 the Gillespie band folded and Morgan joined Art Blak
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Kenny Drew
- 78% match to Milt Jackson
28 August 1928, New York City, New York, USA, d. 4 August 1993, Copenhagen, Denmark. A child prodigy, Drew studied piano and music, making his first records in 1949 with Howard McGhee. In the 50s, he was much in demand for recording and club sessions by mainstream and modern musicians such as Coleman Hawkins, Lester Young and Charlie Parker. He worked regularly with Buddy De
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Frederick Dewayne Hubbard, 7 April 1938, Indianapolis, Indiana, USA. Hubbard began playing trumpet as a child, and in his teens worked locally with Wes Montgomery and Monk Montgomery. When he was 20 he moved to New York, immediately falling in with the best of contemporary jazzmen. Amongst the musicians with whom he worked in the late 50s were Eric Dolphy (his room-mate for
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Art Farmer
- 76% match to Milt Jackson
Arthur Stewart Farmer, 21 August 1928, Council Bluffs, Iowa, USA, d. 4 October 1999, New York City, New York, USA. While still a child Farmer moved first to Phoenix, Arizona, then to Los Angeles. This was in the mid-40s, and during the next few years Farmer played trumpet in various name bands, including those led by Jay McShann and Benny Carter, and worked and recorded with
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Sonny Stitt
- 76% match to Milt Jackson
Edward Boatner Stitt, 2 February 1924, Boston, Massachusetts, USA, d. 22 July 1982, Washington, DC, USA. Starting out on alto saxophone, Stitt gained his early experience playing in the big bands led by Tiny Bradshaw and Billy Eckstine. Influenced by Charlie Parker and by the many fine young beboppers he encountered on the Eckstine band, Stitt quickly developed into a formid
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Wynton Kelly
- 74% match to Milt Jackson
2 December 1931, Jamaica, West Indies, d. 12 April 1971, Toronto, Ontario, Canada. Raised in New York, Kelly first played piano professionally with various R&B bands, where his musical associates included Eddie Lockjaw Davis. In the early 50s, he played with Dizzy Gillespie, Dinah Washington and Lester Young. He recorded some fine sessions for Blue Note Recor
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Sonny Clark
- 72% match to Milt Jackson
Conrad Yeatis Clark, 21 July 1931, Herminie, near Elizabeth, Pennsylvania, USA, d. 13 January 1963, New York City, New York, USA. An underrated piano genius of the hard-bop era, Clark cast a glorious ray of sunshine over some of the Blue Note Records labels most memorable sessions. Art Tatum, one of his childhood heroes, and Count Basie, whose big band radio broadcasts
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Howard McGhee
- 70% match to Milt Jackson
6 March 1918, Tulsa, Oklahoma, USA, d. 17 July 1987, New York City, New York, USA. During the late 30s, McGhee played trumpet in several territory bands in the Midwest before moving to Detroit, where he became well known in that citys lively jazz scene. He first enjoyed major success with Lionel Hampton in 1941; however, he quickly moved on, joining Andy Kirk, for whom
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27 January 1941, Los Angeles, California, USA. After formal tuition on piano, Hutcherson switched to playing jazz vibraphone when he heard records by Milt Jackson. He worked briefly on the west coast then, in 1961, moved to New York, where he established himself as an inventive, forward-thinking musician. He played with many of the outstanding artists of the 60s, among them
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Artist matches
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