Sonny Stitt
- 79% match to Milt Jackson
Edward Boatner Stitt, 2 February 1924, Boston, Massachusetts, USA, d. 22 July 1982, Washington, DC, USA. Starting out on alto saxophone, Stitt gained his early experience playing in the big bands led by Tiny Bradshaw and Billy Eckstine. Influenced by Charlie Parker and by the many fine young beboppers he encountered on the Eckstine band, Stitt quickly developed into a formid
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Kenny Dorham
- 78% match to Milt Jackson
McKinley Howard Dorham, 30 August 1924, Fairfield, Texas, USA, d. 5 December 1972, New York City, New York, USA. After learning to play trumpet while at high school, Dorham played in several late 40s big bands, including Lionel Hamptons and, more significantly given his musical leanings, the bop-orientated outfits of Dizzy Gillespie and Billy Eckstine. He was originall
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Art Farmer
- 76% match to Milt Jackson
Arthur Stewart Farmer, 21 August 1928, Council Bluffs, Iowa, USA, d. 4 October 1999, New York City, New York, USA. While still a child Farmer moved first to Phoenix, Arizona, then to Los Angeles. This was in the mid-40s, and during the next few years Farmer played trumpet in various name bands, including those led by Jay McShann and Benny Carter, and worked and recorded with
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Red Garland
- 69% match to Milt Jackson
William M. Garland, 13 May 1923, Dallas, Texas, USA, d. 23 April 1984, Dallas, Texas, USA. Garland turned to the piano in his late teens, having earlier studied and played reed instruments. Although initially inspired by mainstream artists, he moved into bebop in the late 40s, accompanying Charlie Parker, Fats Navarro and others while still playing regularly with musicians s
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Cal Tjader
- 66% match to Milt Jackson
Callen Radcliffe Tjader, 16 July 1925, St. Louis, Missouri, USA, d. 5 May 1982, Manila, Philippines. After studying formally, Tjader played drums with various bands on the west coast before joining Dave Brubeck in 1949. In the early 50s he played with Alvino Rey and also led his own small bands. By 1953, the year he joined George Shearing, he had added vibraphone and various
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5 April 1934, Pittsburgh, Pennsylvania, USA, d. 12 September 2000, New York City, USA. After playing cello Turrentine took up the tenor saxophone before reaching his teenage years. Born into a musical family (his father, Thomas Turrentine, played tenor with Al Coopers Savoy Sultans, and his brother Tommy Turrentine was a proficient trumpet player), Stanley quickly beca
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27 January 1941, Los Angeles, California, USA. After formal tuition on piano, Hutcherson switched to playing jazz vibraphone when he heard records by Milt Jackson. He worked briefly on the west coast then, in 1961, moved to New York, where he established himself as an inventive, forward-thinking musician. He played with many of the outstanding artists of the 60s, among them
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Horace Silver
- 63% match to Milt Jackson
Horace Ward Martin Tavares Silva, 2 September 1928, Norwalk, Connecticut, USA. Silver studied piano and tenor saxophone at school, settling on the former instrument for his professional career. Early influences included Portuguese folk music (from his father), blues and bop. He formed a trio for local gigs which included backing visiting musicians. One such visitor, Stan Get
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Lee Morgan
- 63% match to Milt Jackson
10 July 1938, Philadelphia, Pennsylvania, USA, d. 19 February 1972, New York City, New York, USA. Prodigiously talented, Morgan played trumpet professionally at the age of 15 and three years later joined Dizzy Gillespies big band. During this same period he recorded with John Coltrane, Hank Mobley and others. In 1958 the Gillespie band folded and Morgan joined Art Blak
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Sonny Clark
- 62% match to Milt Jackson
Conrad Yeatis Clark, 21 July 1931, Herminie, near Elizabeth, Pennsylvania, USA, d. 13 January 1963, New York City, New York, USA. An underrated piano genius of the hard-bop era, Clark cast a glorious ray of sunshine over some of the Blue Note Records labels most memorable sessions. Art Tatum, one of his childhood heroes, and Count Basie, whose big band radio broadcasts
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Art Pepper
- 61% match to Milt Jackson
1 September 1925, Gardena, Los Angeles, California, USA, d. 15 June 1982, Panorama City, California, USA. Pepper started out on clarinet at the age of nine, switching to alto saxophone four years later. After appearing in school groups, he first played professionally with Gus Arnheims band. During his mid-teens he developed his jazz style sitting in with otherwise all-
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Benny Golson
- 60% match to Milt Jackson
25 January 1929, Philadelphia, Pennsylvania, USA. After receiving tuition on the piano as a child, Golson began playing tenor saxophone professionally in 1951 in Bullmoose Jacksons R&B band. It was here that he first met Tadd Dameron, who had a great influence upon his writing. In the early and mid-50s he played in bands led by Dameron, Lionel Hampton and Earl Bost
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Bud Shank
- 57% match to Milt Jackson
Clifford Everett Shank Jnr., 27 May 1926, Dayton, Ohio, USA. After studying and gigging on most of the reed instruments, Shank concentrated on alto saxophone, later doubling on flute and baritone saxophone. From 1947 he was resident on the west coast, playing in the big bands of Charlie Barnet, Alvino Rey, Art Mooney and Stan Kenton but making his greatest impact in small gr
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Hampton Hawes
- 57% match to Milt Jackson
13 November 1928, Los Angeles, California, USA, d. 22 May 1977, Los Angeles, California, USA. Born into a musical family (his mother played piano for the church run by his Presbyterian minister father), Hawes taught himself to play piano by listening to records of 30s jazz piano giants, among them Earl Fatha Hines and Fats Waller. He began to play professionally
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Artist matches
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