Eubie Blake
- 100% match to Joshua Rifkin
James Hubert Blake, 7 February 1883, Baltimore, Maryland, USA, d. 12 February 1983, New York City, New York, USA. Eubie Blake grew up to the sounds of ragtime music, and before the turn of the century was playing piano in sporting houses and other similar establishments. He was a composer too, and in 1915 joined forces with Noble Sissle; they played in vaudeville as a double
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Scott Joplin
- 69% match to Joshua Rifkin
24 November 1868, Texarkana, Texas, USA, d. 1 April 1917, New York City, New York, USA. Joplins father was born into slavery, becoming a freedman with Emancipation in 1863. A musical individual, he encouraged the musical aspirations of his sons and daughters. Scott Joplin, who was originally self-taught, moved to St. Louis while still in his teens, by which time he was
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James Price Johnson, 1 February 1894, New Brunswick, New Jersey, USA, d. 17 November 1955, New York City, New York, USA. Taught piano by his mother, Johnson assimilated a wide range of musical styles. In the years following his familys relocation to New York, he continued his studies and by his late teens was working in clubs in the Hells Kitchen district. Johnso
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In May 1916 several young white New Orleans musicians were working in Chicago, often appearing in the same bands. After a few changes the musicians settled down as a permanent band, with the personnel comprising Nick LaRocca (Dominic James LaRocca, 11 April 1889, New Orleans, Louisiana, USA, d. 22 February 1961, New Orleans, Louisiana, USA; cornet) Eddie Edwards (b. 22 May 1
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Dick Hyman
- 34% match to Joshua Rifkin
Richard Hyman, 8 March 1927, New York City, New York, USA. After studying classical music, Hyman broadened his interests to encompass jazz and many other areas of music. In the late 40s he played piano in and around his home-town, working with Red Norvo and Benny Goodman and leading bop musicians, including founding fathers Charlie Parker and Dizzy Gillespie. Early in the 50
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Ferdinand Joseph Lemott, 20 October 1890, New Orleans, Louisiana, USA, d. 10 July 1941, Los Angeles, California, USA. A gifted musician, Morton played various instruments before deciding to concentrate on piano. In the early years of the twentieth century he was a popular figure on the seamier side of New Orleans night life. He played in brothels, hustled pool and generally
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Leon Bix Beiderbecke, 10 March 1903, Davenport, Iowa, USA, d. 6 August 1931, New York City, New York, USA. One of the legends of jazz, a role he would doubtless have found wryly amusing had he lived to know of it, Bix Beiderbecke entered music when he began picking out tunes on piano and cornet at the age of 15. Inspired by records of the Original Dixieland Jazz Band and by
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Claude Bolling
- 23% match to Joshua Rifkin
10 April 1930, Cannes, France. After showing prodigious talent as a child pianist, Bolling began playing professionally while still in his early teens. Strongly influenced by ragtime and early jazz pianists and by other figures as diverse as Duke Ellington and Art Tatum, Bolling swiftly became recognized in France as a major pianist. He played at concerts, festivals and on r
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27 April 1914, Tunapuna, Trinidad, d. February 1983, Sydney, Australia. Atwell began playing piano at the age of four, gave classical recitals when six and played concerts at the Services Club, Trinidad. She went to New York and studied with Alexander Borovsky before moving to London for tuition with Harold Craxton. Supplementing her income from classical music by playing bo
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King Oliver
- 20% match to Joshua Rifkin
11 May 1885, Abend, Louisiana, USA, d. 10 April 1938, Savannah, Georgia, USA. Raised in New Orleans, cornettist Joe King Oliver became well known through appearances with local marching and cabaret bands during the early years of this century. After playing with notable early jazzmen such as Kid Ory and Richard M. Jones in 1918, he left for Chicago and two years
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Meade Anderson Lewis, 4 September 1905, Chicago, Illinois, USA, d. 7 June 1964, Minneapolis, Minnesota, USA. Although he was popular in Chicago bars in the 20s, Lewis was little known elsewhere and made his living running a taxicab firm with fellow-pianist Albert Ammons. A record he made in 1927, Honky Tonk Train Blues, but which was not released until 1929, even
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Artist matches
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