Wynton Marsalis Biography
18 October 1961, New Orleans, Louisiana, USA. Marsalis took up the trumpet at the age of six, encouraged by his father, Ellis Marsalis, a pianist, composer and teacher. His brothers, Jason Marsalis, Delfeayo Marsalis and Branford Marsalis are also musicians. Before entering his teenage years he was already studying formally, but had simultaneously developed an interest in jazz. The range of his playing included performing with a New Orleans marching band led by Danny Barker, and playing trumpet concertos with the New Orleans Philharmonic Orchestra. Marsalis later extended his studies at two of the USAs most prestigious musical education establishments, Berkshire Music Center at Tanglewood and the Juilliard School of Music in New York City.
By the age of 19, Marsalis was already a virtuoso trumpeter, a voracious student of jazz music, history and culture, and clearly destined for great things. It was then that he joined Art Blakeys Jazz Messengers, perhaps the best of all finishing schools for post-bop jazzmen. During the next two years he matured considerably as a player, touring and recording with Blakey and also with other leading jazzmen, including Herbie Hancock and Ron Carter. He also made records under his own name and, encouraged by his success, decided to form his own permanent group. In this he was joined by his brother Branford. During 1983, he again worked with Hancock. The following year he recorded in London with Raymond Leppard and the National Philharmonic Orchestra, playing concertos by Haydn, Hummell and Leopold Mozart - a side-step that led to his becoming the unprecedented recipient of Grammy Awards for both jazz and classical albums. He next toured Japan and Europe, appearing at many festivals, on television and making many recording sessions.
By 1991, and still only just turned 30, Marsalis had become one of the best-known figures on the international musical stage. His prolific output reached new heights in 1999, when he recorded nine albums of classical and jazz music, a collection of film music, and released a 7-CD box set documenting his septets appearances at New Yorks Village Vanguard in the early 90s.
Insofar as his classical work is concerned, Marsalis has been spoken of in most glowing terms. In his jazz work his sublime technical ability places him on a plateau he shares with very few others. Nevertheless, despite such extraordinary virtuosity, the emotional content of Marsalis work often hints only lightly at the possibilities inherent in jazz. Sometimes, the undeniable skill and craftsmanship are displayed at the expense of vitality. If compared to, for instance, Jon Faddis, eight years his senior, or Clifford Brown, who died at the age of only 26, then there is clearly some distance to go in his development as a player of emotional profundity.
Source: The Encyclopedia of Popular Music by Colin Larkin. Licensed from Muze.