
John Wesley Harding Biography
Wesley Harding Stace, 22 October 1965, Hastings, East Sussex, England. A self-styled renegade folk musician, Harding is a sharply observant and witty English songwriter who has had to battle critical carping over his vocal similarities to Elvis Costello. He decided to pursue a musical career after studying for a PhD in political and social theory at Cambridge University. Hardings debut album was a recording of a solo acoustic live set, and contained the barbed critique of Live Aid, July 13th 1985. He then re-read Madonnas Like A Prayer as a folk song on The Christmas EP, which also contained a surreal collaboration with Viv Stanshall. Hardings first studio effort, 1990s Here Comes The Groom, was a superior collection showcasing Hardings confrontational style and acerbic wit, and featured the Attractions Pete Thomas (drums) and Bruce Thomas (bass), giving the album musical depth but also presenting an easy target for the Costello copyist critics. Ironically, the follow-up The Name Above The Title
then displayed the same over-contrived faults that have crept into Costellos recent work. Why We Fight
and the delayed minor label follow-up John Wesley Hardings New Deal marked a return to form. Hardings folk noir songwriting reached new heights on Where The Bodies Are (from Why We Fight) and The Triumph Of Trash (from New Deal), while the latters In Paradise was a perceptive update of the Kinks Waterloo Sunset. The same year, Harding released the first in his ongoing Dynablob series of albums, sold only through his website. Trad Arr Jones was a collection of traditional folk songs as originally arranged by Nic Jones. Harding subsequently signed to US independent Mammoth Records, debuting for the label in September 2000 with the lavishly produced power pop collection The Confessions Of St. Ace. The closure of Mammoth in April 2002 delayed the release of Hardings new album.
Source: The Encyclopedia of Popular Music by Colin Larkin. Licensed from Muze.
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