15 March 1916, Albany, Georgia, USA, d. 5 July 1983, Las Vegas, Nevada, USA. Harry James father played trumpet in the band of a touring circus, and at first Harry played the drums, but then he, too, took up the trumpet and at the age of nine was also playing in the circus band. He showed such enormous promise that his father had soon taught him everything he knew. Harry left the circus and played with various bands in Texas before joining Ben Pollack in 1935. Early in 1937 James was hired by Benny Goodman, an engagement that gave him maximum exposure to swing era audiences. Heavily featured with Goodman and, with Ziggy Elman and Chris Griffin, forming part of a powerful and exciting trumpet section, James quickly became a household name. He remained with Goodman a little under two years, leaving to form his own big band. James popularity increased and his public image, aided by his marriage to film star Betty Grable, reached remarkable heights for a musician. The bands popularity was achieved largely through James own solos, but a small part of its success may be attributed to his singers, Louise Tobin, to whom he was briefly married before Grable, Frank Sinatra, who soon left to join Tommy Dorsey, Helen Forrest, Dick Haymes and Kitty Kallen.
James maintained his band throughout the 40s and into the early 50s, establishing a solid reputation thanks to distinguished sidemen such as Willie Smith, Buddy Rich, Corky Corcoran and Juan Tizol. Owing chiefly to the recorded repertoire, much of which featured James playing florid trumpet solos on tunes such as The Flight Of The Bumble Bee, The Carnival Of Venice, I Cried For You and You Made Me Love You, his band was at times less than popular with hardcore jazz fans. This view should have altered when, in the mid-50s, after a period of re-evaluation, James formed a band to play charts by Ernie Wilkins and Neal Hefti. One of the outstanding big bands, this particular group is often and very unfairly regarded as a copy of Count Basies, a point of view that completely disregards chronology. In fact, James band can be seen to have pre-empted the slightly later but much more widely recognized middle-period band led by Basie, which also used Wilkins and Heftis charts. James continued leading into the 60s and 70s, dividing his time between extended residencies at major hotel and casino venues, mostly in Las Vegas, Nevada, and touring internationally. Amongst the first-rate musicians James used in these years were Willie Smith again, a succession of fine drummers (including Rich, Sonny Payne and Louie Bellson) and lead trumpeter Nick Buono, who had joined in December 1939 and showed no signs of relinquishing his chair and would, indeed, remain until the end.
In his early years James was a brashly exciting player, attacking solos and abetting ensembles with a rich tone and what was at times an overwhelmingly powerful sound. With his own band he exploited his virtuoso technique, performing with great conviction the ballads and trumpet spectaculars that so disconcerted his jazz followers but which delighted the wider audience at whom they were aimed. Over the years James appeared in several movies - with his band in Springtime In The Rockies, Best Foot Forward, Two Girls And A Sailor, Bathing Beauty, If Im Lucky, Do You Love Me, Carnegie Hall, and Ill Get By - and as a solo artist in Syncopation and The Benny Goodman Story. He also played trumpet on the soundtrack of Young Man With A Horn. Later in his career, James work combined the best of both worlds - jazz and the more flashy style - and shed many of its excesses. He remained popular into the 80s and never lost his enthusiasm, despite suffering from cancer, which eventually claimed him in 1983.
Source: The Encyclopedia of Popular Music by Colin Larkin. Licensed from Muze.