On his return to Jamaica, Capleton began recording for Burrells Exterminator label. Almshouse (1992) was a rallying cry for unification through music and demonstrated that Capleton could address social and cultural topics with the same perceptiveness as his characteristic slackness. In a successful year, he released an album for Burrell and had hits with F.C.T., Matey A Dead, Make Hay and Unno Hear. In 1993, he maintained his profile with the singles Everybody Needs Somebody, Mankind for Colin Fat, Good Love, Stampede for Mad House, Cold Blooded Murderer for Black Scorpio and the rabid Buggering for African Star. He also recorded combinations with Brian And Tony Gold and Nadine Sutherland, and worked with Gussie Clarke. In the USA, a hip-hop mix of the smash hit Tour prompted Def Jam Records to sign him for the remarkable 1995 recording Prophecy. The forthright I-Testament saw Capleton at the peak of his powers. After this foray into the American market, Capletons next recordings were aimed at his Jamaican fanbase and showed the influence of his growing Rastafarianism (he had become a devoted follower of the Bobo Ashanti faith). A string of classic recordings followed, including Who Dem?, Jah Jah City and That Day Will Come. Notable albums from this period include More Fire (2000) and Reign Of Fire (2004). Source: The Encyclopedia of Popular Music by Colin Larkin. Licensed from Muze. |
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